COURSE PROPOSALS

TEACHING


Teaching Interests:

Feminist/queer/race theory; feminist science studies; histories of sexuality and racism; psychoanalysis and race; film and television studies


TEACHING EXPERIENCE:
MFA Program in Fine Arts, California College of the Arts 2007 - present
"Thesis Seminar"
  • This writing-intensive seminar provides a forum of support, guidance, and critique for MFA students working on the written component of their masters theses.
  • Graduate writing seminar, 8 students.

  • Visual and Critical Studies, California College of the Arts 2007 - present

    "Thesis Seminar"
  • This writing-intensive seminar provides a forum of support, guidance, and critique for Visual and Critical Studies students working on their masters theses.
  • Graduate writing seminar, 4students.

  • Women’s Studies, San Francisco State University 2005 - present

    “Theories of Female Sexuality”
  • This course offers an historical overview of scientific theories and discourses of “female sexuality” from roughly 1800 to the present, focusing on how the category “female sexuality” has been mobilized, defined, and racialized in and through the institutions of evolutionary biology, sexology, medicine, psychiatry, and psychoanalysis.
  • Upper division/graduate course, 16 students.

  • “Lesbian/Queer Literature & Media”
  • This course offers a survey of lesbian/queer representation in classic and contemporary novels, Hollywood cinema, independent and experimental films, network and cable television.
  • upper division, 40 students.

  • Gender and Women’s Studies, UC Berkeley 2006
    “Queer Visual Cultures”
  • This course explores issues and questions on the topic of queer “visibility” through a survey of representations of queer subjects in film, television, and video.
  • Upper division course, 55 students.

  • Ethnic Studies, California State University, East Bay 2005
    “Interracial Sexuality in Film”
  • This course offers a survey of interracial sexuality in Hollywood cinema from 1910 to the present, examining how films made in various historical periods represent interracial desire, bodies, and relationships.
  • Upper division course, 18 students.

  • Art History, Sonoma State University 2005
    “World Film History 1945 – Present”
  • This course offers an international survey and history of the film art since 1945.
  • Lower division lecture course, 45 students.

  • History of Consciousness, UC Santa Cruz 2004
    “Popular Culture”
  • This course offers a survey of methodologies for the study film, television, commodity culture, queer subcultures, and technocultures.
  • Lower division seminar, 15 students.

  • Women’s Studies, UC Santa Cruz 1999
    “Feminist Film Theory”
  • This course offers an introduction to feminist film theory and the films of experimental, independent women filmmakers.
  • Upper division seminar, 10 students.

  • Teaching Assistant, University of California, Santa Cruz 1998– 2005
  • Film & Digital Media Courses
    Advanced Topics in Digital Media, American Film 1930-1960, International Cinema, Intro to Digital Media, Intro to Film, Intro to Film Production, Intro to Television Studies, Psychoanalytic Film Theory
  • American Studies/Cultural Studies Courses
    American Popular Culture, Class in the US, Culture and Ideology, Intro to Popular Culture, Intro to Semiotics and Psychoanalysis
  • Women’s Studies Courses
    Third World Feminisms
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